6 Productive Nonprofits In The Bay Area Built On Music

Left Coast Chamber Ensemble was featured in a video showcasing music makers in the Bay Area.

“The Bay Area has a wealth of culture, and it's important for all citizens to have the chance to be exposed to the wonderful art being created in Northern California. Each of these organizations has a unique approach to preserving music and bringing it to the masses, contributing to the diverse legacy that makes this such a special place.”

See the video featuring Left Coast and five other music organizations in the Bay Area.

Left Coast at Wunsch New Music Festival

Left Coast is proud to announce that we'll be the ensemble-in-residency at the second Wunsch New Music Festival at the University of Kansas from November 10-14, 2019.

Our agenda includes master classes, coaching, reading of student compositions, and other educational activities. We're also looking forward to presenting a concert of contemporary music Tuesday, November 12th, 7:30pm at the Swarthout Recital Hall, including:

Melinda Wagner, Romanze with Faux Variations

Mei-Fang Lin, L'image Reconstituée

Jennifer Higdon, DASH

Christopher Stark, From the Field

Sheila Silver, On Loving

Kurt Rohde, credo petrified

2019-20 Season Announced!

Left Coast is thrilled to invite you to our 27th season. Season tickets are on sale now.

Set 1: Changing and Unchanging Things

To open our season we dive into Japanese culture and its intersection with western classical music with Sharaku Unframed, a micro-opera by Hiroya Miura featuring virtuoso shamisen player Hidejiro Honjo. The work explores the mysteries surrounding 18th Century Japanese woodblock artist Toshusai Sharaku. A new chamber work from Karen Tanaka is inspired by the Asian Art Museum's Changing and Unchanging Things exhibit--about Noguchi and Hasegawa, two artists who explored intersections of Japanese and Western visual art. This is paired with music of Debussy, famously inclined toward Japanese music.

Karen Tanaka – Wind Whisperer for flute, viola, harp WORLD PREMIERE
Claude Debussy – Trio for flute, viola, harp
Dai Fujikura – Neo
Hiroya Miura – Sharaku Unframed, a micro opera WORLD PREMIERE

SPECIAL PREVIEW
Saturday, October 5, 2019, 1:00pm, Salon Event and Talk at the
San Francisco Asian Art Museum

San Francisco
Saturday, October 5, 2019, 7:30 PM
SF Conservatory Concert Hall, 50 Oak Street, San Francisco

Berkeley
Sunday, October 6, 2019, 7:30 PM
The Hillside Club, 2286 Cedar Street, Berkeley 

Get details 

Set 2: Air From Other Planets

Schoenberg's Second String Quartet, an exquisite work from 1908, broke new ground in a variety of ways. The most striking innovation is the addition of a soprano for the last two movements. The texts are Stefan George's poems "Litany," about faltering faith, and "Rapture," about transcendence, which begins "I feel air from another planet." To explore how Schoenberg was influenced by Mozart, one of his favorite composers, we're pairing the work with the C Major String Quartet, K. 465. Complementing these masterworks are newly commissioned pieces from Jamie Sampson and John Schott.

Wolfgang Amadeus Mozart – String Quartet in C Major, K. 465
Arnold Schoenberg – String Quartet #2
John Schott – New Work for guitar and viola WORLD PREMIERE
Jamie Sampson – Waving Goodbye for guitar, voice, and string quartet WORLD PREMIERE

Berkeley
Saturday, November 2, 2019, 7:30 PM
The Hillside Club, 2286 Cedar Street, Berkeley

San Francisco
Monday, November 4, 2019, 7:30 PM
SF Conservatory Recital Hall, 50 Oak Street, San Francisco

Get details

Set 3: French Sublime    

Left Coast explores the French sublime, earthly and divine, first with music of Nadia Boulanger and Claude Debussy, and then Messiaen's Quartet for the End of Time. Beginning with the sound of an improvising nightingale surrounded by a shimmer of sound, the piece transports us through multiple universes. One Wing, a new work from Kurt Rohde reflects Messiaen's enduring influence.

Nadia Boulanger – Three Pieces for Cello and Piano
Claude Debussy – Premiere Rhapsody
Olivier Messiaen – Quartet for the End of Time
Kurt Rohde – One Wing WORLD PREMIERE

Berkeley
Sunday, February 2, 2020, 7:30 PM
The Hillside Club, 2286 Cedar Street, Berkeley

San Francisco
Monday, February 3, 2020, 7:30 PM
SF Conservatory Recital Hall, 50 Oak Street, San Francisco

Get details

Set 4: Fairytale Pieces

Music illuminates folklore in Schumann's Fairytale Pieces for viola and piano, Chris Castro's musical rendition of myths about Coyote and Old Man Farmer, and Carl Schimmel's Ladle Rat Rotten Hut––a topsy turvy Little Red Riding Hood for the 21st Century. Featuring guest storyteller Susan Strauss.

Robert Schumann – Fairytale Pieces, Op. 13
Chris Castro – Coyote Goes to the Sky and Birds of Fortune
*
Featuring guest storyteller Susan Strauss*
Carl Schimmel – Ladle Rat Rotten Hut WORLD PREMIERE

Berkeley
Sunday, March 8, 2020, 7:30 PM
The Hillside Club, 2286 Cedar Street, Berkeley

San Francisco
Monday, March 9, 2020, 7:30 PM
SF Conservatory Recital Hall, 50 Oak Street, San Francisco

Get details

Set 5: Living in Color

Sarah Gibson's I prefer living in color, the winner of Left Coast's 20th annual composition contest, inspires a dive into music rich with imagery. Gabriella Smith's Anthrozoa depicts the vibrant life among the coral reefs, and Brahms' Violin Sonata in G evokes the rain. Josiah Catalan's companion work to the Brahms, a world premiere, ties together new and old.

Sarah Gibson – I prefer living in color 2019 COMPOSITION CONTEST WINNER
Dai Fujikura – Flicker
Gabriella Smith – Anthrozoa
Elliot Carter – Esprit rude / esprit doux and Steep Steps
Veronika Krausas – Cloisonne
Johannes Brahms – “Regen” Violin Sonata in G. Major
Josiah Catalan – New Work for flute, clarinet, violin, viola, cello, and double bass WORLD PREMIERE

Berkeley
Sunday, May 31, 2020, 7:30 PM
The Hillside Club, 2286 Cedar Street, Berkeley

San Francisco
Monday, June 1, 2020, 7:30 PM
SF Conservatory Recital Hall, 50 Oak Street, San Francisco

Get details


2019 Composition Contest Winner

Sarah Gibson's I prefer living in color is the winner of the 2019 Left Coast Composition Contest. Left Coast will perform the piece in the 2019-20 season. Sarah currently teaches at the University of Southern California and she is Associate Artistic Director of the HEAR NOW Music Festival of Los Angeles Composers.

Sarah Gibson is a Los Angeles based composer and pianist. Her music has been performed by Los Angeles Chamber Orchestra, American Composers Orchestra, New Fromm Players, and the Aspen Contemporary Ensemble, among others. Currently the Los Angeles Chamber Orchestra’s Sound Investment Composer, her works have received recognitions such as the American Composers Orchestra Underwood New Music Readings and a Victor Herbert ASCAP award. Sarah is co-founder of the new music piano duo, HOCKET, lauded as "brilliant" by the LA Times' Mark Swed. She teaches at the University of Southern California, The Colburn Conservatory, and is Lead Teaching Artist for the Los Angeles Philharmonic Nancy and Barry Sanders Composer Fellowship Program alongside Artistic Director Andrew Norman.

Left Coast wins 2017-18 Best of the Bay!

Photo: Tenor Joe Dan Harper in Never was a knight… | Credit: Nick Benavides

BoB-2018-Winner.png

We are honored to receive two wins in the San Francisco Classical Voice Best of the Bay contest:

Best New Music Ensemble of 2017-18
Best New Music Performance: “Death and a Knight

Congratulations to our outstanding runners-up, San Francisco Contemporary Music Players and Volti in the Best New Music Ensemble category.

Read more about all the winners in the SF Classical Voice.

Thank you for your support!