Events for Death with Interruptions: On Making Opera & Saramago

Image: Kirk Richard Smith, Naissance Inc.

Image: Kirk Richard Smith, Naissance Inc.

FREE events! Coming soon -- several great opportunities to learn about what goes into making an opera, and to discover the challenges of translating Saramago.  

March 8: Kurt Rohde on the radio with Sarah Cahill
Kurt Rohde will be talking about Death with Interruptions on Sarah Cahill's show Revolutions Per Minute on Sunday March 8 at 9pm on KALW (91.7 FM). A great chance to hear Kurt's thoughts on composing the music for his first opera and working with the talents of Thomas Laqueur (librettist), Majel Connery (director), Nikki Einfeld (soprano) and the whole ensemble. You can also listen live at

March 16: Free performance at UC Berkeley
Free performance of excerpts from Death with Interruptions only: 12:15pm, Monday, March 16, 2015 at Hertz Hall, UC Berkeley campus

In conjunction with the opera's premiere, UC Berkeley's Doreen B. Townsend Center for the Humanities will host two discussions with noted scholars and artists. These talks are free of charge and all are welcome to attend.  For detailed updates check the Townsend Center websites.

March 18: The Art and Craft of Translation
Wednesday, March 18, 5-7pm
UC Berkeley Campus: 308A Doe Library

The longtime translator of José Saramago's work, Margaret Jull Costa, joins in a discussion with other noted translators: Paula Varsano (Chinese), Dennis Washburn (Japanese), and Robert Alter (Hebrew).

March 19: Making an Opera
Thursday, March 19, 12-2 pm
UC Berkeley Campus: 3335 Dwinelle Hall

Mary Ann Smart (UC Berkeley, Music) leads a discussion about the new opera, Death With Interruptions, with librettist Thomas Laqueur, composer Kurt Rohde, director Majel Connery and Shalom Goldman (co-librettist of the Philip Glass opera Akhnaten).

Find out more about the new opera Death with Interruptions and info on buying tickets:

Left Coast Chamber Ensemble 2014-15 Season Announced

We've lined up a provocative season of tantalizing music for you starting in September 2014.
Please join us!


SAN FRANCISCO SF Conservatory of Music • Monday, September 29, 2014 8PM
MILL VALLEY 142 Throckmorton Theatre • Thursday, October 2, 2014 8PM  

FILM: A Trip Down Market Street • scored by Gabriel Bolaños Chamorro
VIDEO: Klatka Still • scored by David Sanford
FILM: Borderline • scored by Sean Varah
FILM: Marcia Scott’s Bolinas • music by John Cage
Claude Debussy • Sonata for Cello and Piano in D Minor, L.135  
Henri Dutilleux  D’ombre et de silence  (In Shadow and Silence)
Felix Leuschner  Krieg ohne Schlacht for Tenor and Cello (2008) 2014 LCCE COMPETITION WINNER
Philippe Bodin  Métal

Left Coast screens silent films, beginning with early 20th century footage of a trip down San Francisco's Market Street, accompanied by a live score by Gabriel Chamorro, and continuing with films scored by Sean Varah. We'll also present the winner of the LCCE 2014 Composition Contest Felix Leuschner's Krieg ohne Schlacht a theatrical duet for cello and tenor. Serving as abstract foils for these dramatic works are French compositions; we feature favorite works chosen by the Left Coast players.


MILL VALLEY 142 Throckmorton Theatre • Sunday, December 7, 2014 7PM
SAN FRANCISCO Dennis Gallagher Arts Pavilion • Monday, December 8, 2014 8PM

Hans Werner Henze · Carillon, Récitatif, Masque: Trio for Mandolin, Guitar, and Harp
  Argento · Letters from Composers for Voice and Guitar
John Anthony Lennon · Ghostfires for Voice, Flute, Guitar, and Harp
  Martin · Quatre pièces brèves for Guitar
Amadeus Regucera · New
 Work for Bass Flute and Harp WORLD PREMIERE
Sam Nichols · New Work for Voice, Flute, Guitar, and Harp WORLD PREMIERE
Igor Stravinsky · Four Songs for Voice, Flute, Guitar, and Harp

In a concert curated by Left Coast guitarist Michael Goldberg, the timbral possibilities presented by an unusual collection of plucked instruments mandolin, harp, and guitar are combined with flute and voice. Stravinsky's delightfully off-kilter folk song settings and John Anthony Lennon's setting of text by James Joyce are complemented by a companion commission from the Bay Area composer Sam Nichols. Left Coast is delighted to welcome guest artists Ann Moss, Meredith Clark, and Travis Andrews, and guest composer Amadeus Regucera. 

3 CIRCA 1945

SAN FRANCISCO SF Conservatory of Music • Monday, February 2, 2015 8PM
MILL VALLEY 142 Throckmorton Theatre • Thursday, February 5, 2015 8PM

Bohuslav Martinů · Quartet for Oboe, Violin, Cello, and Piano, H.315
 Stravinsky · Elegy for Violin
David Coll · Remix:
 Take the A-Train WORLD PREMIERE
 Messiaen · Quartet for the End of Time

What did the world sound like in the 1940s? Music of that era straddled the old and new, as Left Coast shows with Martinů's neo-classical oboe quartet and a meditative elegy by Stravinsky. The ensemble revisits Messiaen's ground-breaking Quartet for the End of Time, last featured on our series in 2008, when Jerome Simas' sound was described as "clear, splendidly liquid, agile, mysterious, remote," and Eric Zivian's "bright-toned playing showered fistfuls of glittering notes" and with his "slow, serene pulse... he was, as ever, alert to the music's every gesture." (SF Classical Voice) And David Coll's new remix of the Ellington/Strayhorn classic "Take the A-Train" reflects on the WWII era from a 21st century vantage point.


MILL VALLEY 142 Throckmorton Theatre • Thursday, March 19, 2015 8PM
SAN FRANCISCO SF Conservatory of Music • Sunday, March 22, 2015 7PM

Additional free performance of Death with Interruptions only:  12:15pm, Monday March 16, 2015, (Hertz Hall, UC Berkeley Campus) 

Franz Schubert · Andante con moto from String Quartet No.14 in D Minor, D.810, “Death and the Maiden”
 Rohde · Death with Interruptions adapted by Thomas Laqueur from the novel by José Saramago, presented in collaboration with Volti SF · WORLD PREMIERE

Left Coast presents a new dramatic musical work based on Nobel Prize winner José Saramago's novelDeath with Interruptions. With music composed by Kurt Rohde and a libretto by the distinguished UC Berkeley historian Thomas Laqueur, the story recounts what happens when death, who lives in an unnamed Iberian country with her taciturn scythe, falls in love with the principal cellist of a local orchestra and fails to claim his life. Soprano Nikki Einfeld and cellist Leighton Fong are joined by Left Coast Chamber Ensemble and Volti San Francisco the noted chamber choir as well as other collaborators.  The concert opens with a contrasting take on the imagined embodiment of death, Schubert's, from his famous string quartet.

Support provided by the Andrew W. Mellon Foundation Distinguished Achievement Award granted to Professor Thomas Laqueur.


MILL VALLEY 142 Throckmorton Theatre • Sunday, May 31, 2015 8PM
SAN FRANCISCO SF Conservatory of Music • Monday, June 1, 2015 8PM

Robert Schumann · Impromptus sur une romance de Clara Wieck for Piano, Op. 5
 Musgrave · Impromptu No. 2 for Flute, Oboe, and Clarinet
Jon Deak · Lady
 Chatterley’s Dream for Violin, Viola, Cello, Double Bass, and Piano
NEW WORKS by Jean Ahn ·
 Nick Benavides · Jonathan Holland · Emily Koh · Mei-Fang Lin · Ryan Suleiman

Two exquisitely contrasting artworks, one black and one gold, displayed in Gallery 16 of the de Young Museum, serve as inspiration for the six emerging composers commissioned to write new works for this program. Both sculptures create art out of leftovers: Learning of an arson attack on a church that had a predominantly African American congregation, Cornelia Parker collected the charred remains of the building and constructed Anti-Mass, which seems to float in the gallery, defying gravity. On the opposite wall is El Anatsui's Hovor II; he transformed discarded bottle tops into an enormous opulent wall hanging. Completing this program are impromptus by Thea Musgrave and Robert Schumann, and the uproariousLady Chatterly's Dream, composed by New York  Philharmonic bassist Jon Deak. 

Support for this project was provided by the San Francisco Arts Commission Cultural Equity Grants Program.



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2014 Composition Contest Winner


April 19, 2014. Chosen from over 150 entries from 23 countries and 25 US states, the winning composition in this year's contest is Felix Leuschner's work for tenor and cello Krieg ohne Schlacht. Left Coast will perform the piece in the 2014-15 season.   Left Coast will perform the work  as part of our 22nd season.  The runner up is Gordon Williamson  for his work Vier Stückchen.

A huge thank you to all the composers who participated in the 2014 Left Coast Composition Contest.  We appreciate the hard work that went in to the works and we were very impressed by the quality and diversity of the music submitted to us.

photo credit: Pedro Malinowski

Kurt Rohde at the Copland House

Left Coast Chamber Ensemble violist and composer Kurt Rohde will be in residence at the Copland House in New York in summer,  2014. According to the Copland House foundation,  "The Copland House Residency Awards were inspired by Aaron Copland's exceptional legacy of support for his fellow composers. Based at Copland House, a National Historic Landmark , the Copland House Residency Awards have earned nationwide recognition. Gifted emerging or mid-career American composers  are invited to reside, one at a time, at Rock Hill, Aaron Copland's restored New York home. There, they can focus on their creative work, free from the distractions of daily life and other professional responsibilities."

Here's what Kurt is planning: "While at the Copland House, I will compose a new “pocket” concerto (meaning it will be short and involve a small number of players in order to make it easy to do) for cellist Michelle Kesler. This multi-movement work for solo cello and small ensemble will involve a number of doublings by all the players on “humble” instruments (kazoos, harmonicas, slide whistles, beer bottles, toy drums). My idea for this piece incorporates a number of “stations” located throughout the hall, among which the soloist will move as the piece progresses. It is my intention to have this physical movement mimic and represent the progression/development of proficiency that a player encounters as they learn their instrument. The journey from being a beginning player on the cello and growing over the years into a well-trained, seasoned performer will be articulated as the piece moves from beginning to end. To strengthen this concept, the soloist will begin the piece playing on a half-size student cello and end with their full-size, "mature" instrument. This piece has also received support with a commission from the Barlow Endowment for New Music Composition."

Congratulations and good luck, Kurt!

Kurt Rohde, photo by Jeanette Yu

Kurt Rohde, photo by Jeanette Yu